The Movie Edit Pro interface does a good job of controlling the underlying complexity of all these features, avoiding arrays of tiny buttons while still providing straightforward click and drag editing with larger icons. The tracks are not limited to specific uses (video or audio to titles) instead you can place any object in any track. Movie Edit Pro provides three editing modes: scene overview mode shows thumbnails of the first track to quickly re-order your scenes, Storyboard mode shows thumbnails with transitions and controls for editing, and Timeline mode is for full multi-track editing, with up to 32 tracks in Movie Edit Pro, and up to 99 in the Plus version. You also can customize the interface windows and save favorite layouts. It’s is designed very much in the style of traditional video editing tools, with the main program monitor for viewing clips, tabbed windows to Import your media and access Fades (transitions), Titles, and Effects, and then the Storyboard/Timeline strip below. Movie Edit Pro is not an “E-Z” consumer application. It supports direct import from portable devices and HD camcorders (including native AVCHD), editing with extensive transitions and effects, and audio dubbing, and then export to portable devices, online, and to DVD and Blu-ray with animated menus. This is serious video editing – Movie Edit Pro provides deep support for the latest technologies and devices.
MAGIX Movie Edit Pro 17 packs an impressive punch for a $60 video editing tool, with the Plus version for $100 adding even more sophisticated features including effects masks, MultiCam editing, and Dolby Digital 5.1 mixing – plus stereo 3D editing with photos and video.
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